I consider workshops to be an integral part of my artistic and research practice, and for many years I have run and organised adult drawing workshops with a wide range of community and academic groups in the UK and Sweden. I'm interested in the social potentials within art making processes and the possibility that workshops can create space for both personal and/or professional development through encountering not only personal perspectives in new ways but also the perspectives of others.
Though my workshops are often rooted in drawing practice, they have always dealt more generally with the processes behind art making and how these processes should be regularly questioned and problematised. The workshops I run are always uniquely planned out for a specific group and are shaped over time by the individuals within that group.
Examples of past workshops:
- About the concept of failure and how it can be confronted and critiqued through art practice
- How we can imagine and externalise space and time through art making
- The importance of process within art practice
Though my workshops are often rooted in drawing practice, they have always dealt more generally with the processes behind art making and how these processes should be regularly questioned and problematised. The workshops I run are always uniquely planned out for a specific group and are shaped over time by the individuals within that group.
Examples of past workshops:
- About the concept of failure and how it can be confronted and critiqued through art practice
- How we can imagine and externalise space and time through art making
- The importance of process within art practice
